Showing posts with label Chant. Show all posts
Showing posts with label Chant. Show all posts

Monday, October 25, 2010

Tallahassee Vespers: At a Crossroads

Our latest Sung Sunday Vespers was indicative of the progress which we have made. The mistakes were few and far between. Everyone sang the hymn very well together. There were only a few mistakes in the psalmody. The execution of the Salve Regina at the end of the prayer was quite good.

We are now at a point where our Sunday Vespers needs to grow. The problem will be determining how best to go about doing this. So far, we have grown by word-of-mouth and by posting events on Facebook on both our "Tallahassee Liturgy of the Hours/Divine Office" page, and on the "Una Voce Tallahassee: Latin Mass Community" page. The real growth will occur once we reach out to the bulletins of the several parishes in the area (there are four in the city of Tallahassee, plus a chapel for Florida A&M).

Once we advertise in the bulletin, however, we will need to have the resources for participation for the people who come. We could either try to do a big event for which we have rehearsals (for instance, on Christ the King), with handouts for participation, perhaps trying to link Vespers with Adoration. Alternatively, we can advertise in one of the four bulletins, seeking to draw people in from a single parish.

Currently, my inclination is to do the latter. Advertising within our own parish for people who are willing to sing the parts should draw out some of the more committed who will join weekly. Once we have a good idea of how many are willing to do this, we can advertise in the other parishes. Finally, we can create a more major event, during which I would expect a larger group to attend.

Such are my plans at present. I will seek the input of my cohorts. We know that we need to grow. The question is how we do it.

Monday, October 18, 2010

Vespers in Tallahassee: Week 5 Report

We met yesterday for our fifth sung Sunday Vespers. The singing is really starting to come together. Most of the dragging while chanting the psalms has ceased. The execution of the Salve Regina after Vespers was near perfect. We learned the setting in the Mundelein Psalter for the English version of the Lucis Creator Optime, and executed it very well. There were both fewer mistakes and greater cohesion.

It is nice to see that our group has grown together. The next step is likely our growing outward. We may take some time before advertising in the bulletins of the four parishes in Tallahassee for new members. Even so, the time is growing shorter 'til we will do so.

I should also note that the rector of the C0-Cathedral informed me of his support of our efforts. I invited him to join us for the evening, but he already had an appointment. Nevertheless, he mentioned that we especially ought to bring into our number those in the community considering the priesthood or religious life (as the Co-Cathedral is right outside Florida State University, there are many college students considering their vocations within the parish). I think this is a great idea, and hope to make efforts in that regard very soon.

I would ask for your prayers for the success of this group. While it might not be possible to have a sung Sunday Vespers everywhere, I certainly believe that every city ought to be able to have at least one (preferably at the Cathedral or Co-Cathedral). We are doing what we can to allow this movement to grow here in Tallahassee. Please support us with your prayers, and consider doing the same in your own community.

Seasonal Hymns in the Mundelein Psalter

I've mentioned before how much I like the Mundelein Psalter for providing English versions of the Latin hymns of the Liturgy of the Hours. I, for one, think it's wonderful to sing hymns by St. Ambrose or St. Gregory the Great during Sunday Vespers.

Unfortunately, the seasonal hymns are not laid out in an easy-to-read setting. By this, I mean that the notes are provided at the top of the page, rather than above the corresponding verses. This makes it rather difficult to follow. (There is an additional problem with the Vespers hymn of Easter missing a note, thus having only seven notes for an eight beat line of text, but that's another story)

I arranged an easier-to-read setting of Conditor Alme Siderum for our little Tallahassee group. I did not see this to be prohibited by the book itself, especially as we are not selling the material. Thus, we ought to be able to prepare easier for the transition from Ordinary Time into Advent. To set the chants, I used the font StaffClefPitchesEasy, which I find to be incredibly easy to use (round note chant notation).

This way, I think we will be able to continue using the Mundelein Psalter primarily, while supplementing it with other material when appropriate.

Wednesday, September 22, 2010

Sung Vespers vs. Recited Vespers: Practicality & Effectiveness

I was asked recently by one Ryan Ellis via Twitter what I thought about a recited communal Vespers from a practical standpoint. It's a very fair question, and one deserving a better response than can be contained in 140 characters.

First, the obvious thing to say is that it is much easier to teach a group to recite Vespers in common than it is to teach them to sing Vespers in common. If we were to compare this to the Mass, it is much easier to have a Mass fully recited than one which is even partially sung. In the barest sense of the word "practical," it is more practical to recite Vespers in common.

However, aside from the merely aesthetic reasons for having a sung Vespers, we might consider its effect upon a congregation. Consider your average daily Mass, for instance: it's a Low Mass in English. Very few people show up. Granted, a lot of people won't come to a daily Mass because of their work or school schedule conflicts. Even so, I have heard people who attended daily Mass tell me that they didn't like it simply because there was no singing involved. In other words, they did not feel like they were able to adequately join in a period of worship without the singing.

I would imagine that the effect would be even greater in the Hours, where so much more of the essence of the texts is that of song. You open with an acclamation (which generally ought to be sung), followed by a hymn and three psalms (or two psalms and a canticle). After the reading (which need not necessarily be sung) you have a responsory (which should) and a Gospel Canticle (ditto). One can debate whether to sing the Intercessions, Lord's Prayer, and Collect. As a dialogue, the conclusion probably ought to be sung.

So essentially, at its heart, you have six or so texts which, by their nature, can be considered songs. They need not always be sung (in fact, the General Instruction seems to argue for a case by case approach to the feasibility and manner of singing each psalm). Even so, given ancient practice, one would think that the psalmody and hymn at the very least ought to be sung if possible.

I don't think there is anything wrong with a group of the faithful gathering to pray one or more the Hours using recitation rather than singing. In fact, there is a group at my parish that has started to do just that on weekdays. I find our efforts to be complementary rather than competitive. Nevertheless, just as I believe that a sung Mass will draw more people, I believe that a sung Vespers will draw more people. Further (and this is just assumption), I believe that a sung Vespers has greater ability to inspire people to recite the other hours in common than vice versa.

Tuesday, September 21, 2010

The Liturgy of the Hours and Grassroots Liturgical Renewal

There have been many movements toward a renewal of the liturgy in these last few months and years. Perhaps the most noteworthy project right now is the movement for a free collection of propers for the Mass. Nevertheless, even once this project is finished, it must have support of pastors in order to be implemented in parishes. How might ordinary laity engage in renewing and reforming the liturgical practice in their own parishes?

The primary answer is to stake out that ground which is currently not held or even contested by anyone in the parish. We know that Sacrosanctum Concilium called for Sunday Vespers to be celebrated in common in parishes. Individual Catholic laity may certainly join in praying the Hours together, with or without clergy (though clergy are to take their appropriate roles when they are present). The Catholic laity are certainly not forbidden to gather together as a community to pray. If they meet for a sung Vespers, learn how to chant the psalms, etc., they have undertaken a vital step in renewing the liturgical life of their parish.

Moreover, they have something which they can bring to their pastor, inviting him to join with them. I can't imagine many priests saying "no." They may then ask for the permission to use the parish church when no other event is scheduled in the evening. Again, I can't imagine a priest here saying, "no." Finally, they can invite him to take his own proper role in leading the prayers of the people (as well as any associate pastors or deacons). While some priests may not opt for this option, it's probably safe to say that many will.

This may lead to further opportunities for renewing the liturgical life of the parish. Think, for instance, of all those daily Low Masses in almost every parish in the country. Even Solemnities receive this treatment, so long as they are not also Holy Days of Obligation. If a group is able to sing the simple chants of the Mundelein Psalter, they are probably able to sing the chants of By Flowing Waters, which sets the texts of the Simple Gradual. You might then be able to provide the chants from the Psalter for the Entrance, Offertory, and Communion. While there might be some opposition to such an offer before starting a Sunday Vespers, once competence is shown, it's easy to imagine such opposition subsiding.

We have many opportunities out there. We should seize them. Don't just fight to change the way things are. We can work together to improve things as they now stand, and start things that aren't yet being done.

Friday, September 17, 2010

Updated ICEL Chant Settings

I am happy to say that the ICEL chants which will appear in the revised Roman Missal next year have been updated. A hat tip is in order to Gotta Sing, Gotta Pray. The link to the page with the ICEL chants is here.

There were numerous complaints about changing the Order of Mass after recognitio had been granted in 2008. Even so, I believe that both those who are excited about the new translation, as well as those who are apprehensive, can take heart that the chants which will appear in the Missal itself have already been amended. I recommend taking a look at the setting based on Credo III. The changes from the 2008 version to the 2010 seemed rather seemless to me.

I respect those who are troubled by this new translation. Nevertheless, I hope that they can understand my joy in the reclamation of ancient melodies for use in the modern liturgy. I hope that soon, we may not only pray, but sing, the words of the Creed together.

Tuesday, February 9, 2010

Antiphonale Romanum II

There's a much better post on Antiphonale Romanum II over at the New Liturgical Movement website. I recommend taking a look at it, if interested in singing Vespers in chant.

Wednesday, January 27, 2010

Chants for Vespers Now Published by Solesmes

For those wanting to chant Vespers of the Liturgy of the Hours, the chants for Sundays and Major Feasts has finally been published. It is published under the title Antiphonale Romanum II, as it is the first in a series providing music for the Roman Office. Solesmes has released the edition. The following is a google translation of the page from their website (apologies for not providing my own, as I am not very proficient in French):

Vespers Sing Sunday in Gregorian chant, and according to the present liturgy is finally possible, nearly thirty years after the publication of Liturgy Horarum.

The Antiphonale Romanum II is a book of 800 pages of paper bible, the usual format of books of Gregorian chant at Solesmes. The volume is adorned with a beautiful cover skai marble, an elegant dark red, reinforced backs, and two favorites, touge and gold.

The book contains all the elements necessary to singing of Vespers for Sundays and festivals of the year. That is to say, hymns, antiphons, psalms and hymns, readings, short-responses, prayers of intercession and the concluding prayers. At the end of the book, a chapter explains in detail the rules of song from each of these genres.

The book follows the provisions of the Liturgy of the Hours, by using the wealth of content Gregorian chant in medieval manuscripts and the later tradition. The proposed melodies are edited in accordance with the requirements of the critical current musicology.

These melodies are presented in their pastoral edition is tailored to the needs of amateur choirs: all the verses of hymns are noted, and pointed to the letterpress each verse adaptation of the psalm tones.

In accordance with the wishes of Vatican II (Sacrosanctum Concilium n. 100) is by editing the volume of Vespers for Sundays and festivals that began publication of Antiphonale Romanum.


I greet this with great enthusiasm, and hope everybody else does, as well.

Wednesday, December 30, 2009

The Closing of 2009: Vespers, Adoration, and Te Deum

December 31, as the close of the civil year, has a dual purpose in the practice of the Church. It is a time both of penance for past sins, as well as thanksgiving for God's blessings throughout the year. The former practice may be seen primarily in the form of Eucharistic Adoration. The latter may be seen in the singing of the Te Deum.

The Directory of Popular Piety has the following to say about this day:

114. Popular piety has given rise to many pious exercises connected with 31 December. In many parts of the Western world the end of the civil year is celebrated on this day. This anniversary affords an opportunity for the faithful to reflect on "the mystery of time", which passes quickly and inexorably. Such should give rise to a dual feeling: of penance and sorrow for the sins committed during the year and for the lost occasions of grace; and of thanks to God for the graces and blessings He has given during the past year.

These sentiments have given rise to two pious exercises: prolonged exposition of the Blessed Sacrament, which afford an opportunity for the faithful and many religious communities for silent prayer; and the singing of the Te Deum as an act of community praise and thanksgiving to God for the graces received from Him as the year draws to a close(126).


Such a practice is occurring in St. Peter's in Rome, as may be seen at the Vatican Website. Here, a Booklet for the Celebration of Vespers with Exposition, Benediction, and the Te Deum may be seen. One will notice that Vespers begins as usual (though in this case processing to Tu es Petrus). After the Collect (Closing Prayer), the Blessed Sacrament is exposed, while the people may chant Ave Verum Corpus. After a some time of silent prayer, the Te Deum is sung. Then the Blessed Sacrament is incensed while the Tantum Ergo is sung. After the prayer, Benediction, reposition, and Divine Praises, an the seasonal Marian antiphon is sung (Alma Redemptoris Mater). At the conclusion, the hymn Adeste Fideles is sung.

Such a practice may be done in one's own parish or home. At the very least, one may recite the Te Deum. There is a plenary indulgence for reciting this hymn on the last day of the year. If one has a copy of the the Liturgy of the Hours, they may recite the office of Vespers (Evening Prayer), singing as much as there is music, and reciting the Te Deum after finishing Vespers. if you are near a Church where there is perpetual adoration, then you may certainly spend time in silent adoration there, and possibly even recite the Office of Vespers and Te Deum there. If you have the Mundelein Psalter, you could always sing as much of the Office as you can.

There are many musical settings of the Te Deum that are available. I tend to use the English version in the book By Flowing Waters. There are also a number of Latin versions that would be excellent, including that found in the Booklet Jubilate Deo, or even OCP's booklet Laus Tibi, Christe. All of these also have the traditional musical notation for the Alma Redemptoris Mater.

And of course, nothing prevents you from celebrating Adeste Fideles as the English "O Come, All Ye Faithful," or in its Latin version if you have one.

While it is probably too late to plan a celebration along the lines of that held in St. Peter's, we can always work toward doing so next year. You can always try to make such a work of devotion to God part of the life of your own parish. There are resources that can make a worthy celebration possible.